the power of imagination

I reach my leg under the little formica table and say his name to nudge Tad awake. Outside in the drizzle is a stunning 17th century farmhouse on a hill surrounded by handsome Cypress pines. He wakes from his slumber, turns his head and looks up at me from under the rim of his red baseball cap with those big green eyes of his. (I told him not to wear baseball caps in France because he looks like a tourist). He's smirking because he knows I've woken him up to show him yet another pretty house. He often gets tired of my distractability and shows his need to pull away and recharge his batteries by nodding off.  This time he reaches his hand across and touches mine, with just a smile, he rubs his ankle up against mine out of the view of the other passengers as a way to say, "Yes dear. I love you. Now let me sleep." Then he lies his head back down. A big smile comes to my face followed seconds later by a slow gentle cry that brings fat tears tumbling down my face which I cover with my hand so  other passengers won't notice.

The reality is: Tad is not here; he is not on this trip with me. The reality is: Tad is dead. And the power of my imagination is both the incredible joy it brings me by creating pleasurable images and the terrible sorrow it unearths when it reminds me that it is -in and of itself- just a mental image setting off bodily sensations.

(If I use my imagination just right I can even feel the particular texture of Tad's hands.)

As I rush across the French countryside in a long metal train I find myself wondering if those seventeen months of cancer even existed. Maybe I just dreamt them too. The long nights in hospitals, waking every time the nurse walks in to check his vitals, the constant struggle to to see if I can understand what the doctors "really" mean behind their multiple masks. Did I just make up that fight, those phone calls, the hollering matches, the tearful nights holding each other?

Was this too just my imagination?

What's clear is that I did not dream the part of the story where the leukemia finally killed Tad. I did not dream the day he stopped breathing in my arms after suffocating on his own fluids. I did not dream the view of his cardboard box coffin sliding into the square chamber of the cremation furnace. That I know is not my imagination.

He is dead and I am not. Can someone please give me the instruction manual for loving a dead man?  Because I don't know how to do this.

I find myself wondering when it will stop. When will I get back to wanting to be in love with a live person? I guess I am already there - I want to be in love with a live Tad. He's the one who is unavailable - so to speak.

If I were to give a name to this state it would be "bittersweet" - every memory is like a sweet dark chocolate that I get to relish in then suddenly I hit the bitter, hard center of reality and it becomes unpleasant.

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This is not my first dance with death; far from it.

I saw my first cadaver at age 12 when I went to see my cousin lying in a casket; shot dead during a hunting accident. I saw my grandfather's corpse before I turned 18.

But the long, ongoing dance with death similar to Tad's was when I was in my early thirties and was told I had a medical condition that could be controlled temporarily but never healed. It would only get worse and for years smart doctors told me I needed to prepare for my imminent death.

Then some brilliant team of scientists came along and discovered a drug that saved my life. It's pretty clear to me that none of the men in white saw it coming given the seriousness with which they conveyed their concern that I prepare my family and friends for my death.

Now that I am back in France I see how being here helped me deal with the reality of death.

When I lived here in Bordeaux I was restoring a 17th century farm house. One of my pleasures as a cerebral break from the exhausting physical work was to come into the city and do research on the history of the house and the families who had lived there.

The notion that this place had been there hundreds of years before me and the thick stone walls would probably be there many years after me somehow made my loss and fear of loss much more bearable. The old house with its multiple owners whose names populated the "cadastre" at the local archives put me and my own life in perspective. History is just a long story about dead people.

I grew attached to that house and had romantic images of being buried in the park out near the tiny 18th century chapel.

During this visit my sweet friend John and I went back to that house - now a bed and breakfast slash winery. I walked from room to room noticing the floor slats I had replaced, the sink I had installed, the paint I had slathered on the walls. I walked around remembering names and faces of people who had come and gone in those rooms.

At one point John intimated that this visit might make me uncomfortable (it is indeed a rather enviable place to have lived).

But the truth is I didn't feel any painful urges tugging at my heart as I walked through this old rambling place. It was a big part of my life. I shared it with someone dear to me and now neither is a part of my life and I feel quite at peace with that. It's that simple.

I wonder what it will take for me to get to a phase in my life when I can say to myself "Tad Crandall you were a big part of my life but you are no longer and I feel at peace with that. It's that simple."

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While here a young Frenchman appeared to flirt with me in a way that stirred something. He was sweet and sexy and seemed smart (one or the other alone would be insufficient to prick my ears). As we began to get to know one another I suddenly began to feel nauseous. Without notice I became aware I needed to get to a toilet quickly. I proceeded to vomit profusely.

If I am to believe many Hollywood movies this vomiting was caused by severe emotion but according to my GP I simply developed a stomach flu, what the French call "une gastro". Needless to say it brought an end to any flirting. I took the prescribed medication, went to bed (alone) and slept for a long time.

When I woke up this morning I found myself thinking: "Tad knew every one of my physical and psychological quirks. How will I ever be able to meet someone who will accept me for who I am? There's no possible way I'll ever be able to invite someone new into my life."

Then I began to say aloud to the stone walls words that surprised even me: "Tad I can't believe you left me alone? Why did you have to go and leave me here? I'm really pissed off at you for dying!"

I had never felt anger about Tad's death before and I immediately thought of Kubler-Ross and her silly stages and how I was actually having one of them; finally an experience that someone had documented as normal. 

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Driving back from the airport where I've just dropped off Madina it occurs to me that most of life is about memory.

My capacity to drive a manual car after ten years of driving an automatic, to find my way around the unmarked Bordeaux suburbs, to remember how to negotiate a round-about at high speeds during rush hour - these are all based on memory.

How is it that some memories are so painful and others so warm?

The Nobel-prize winning psychologist Daniel Kahneman says that one of the reasons it is hard for us to measure happiness is that we confuse our feelings about our life with our feelings about our memories of our life.

And what worse his work has shown how something that has the potential to be a really good memory turns into a bad one when it has a less-than-happy ending such as a peaceful vacation that finishes with a harsh dispute over the hotel bill.

If this is true then we might surmise that most relationships will become a painful memory - because they will end in unwanted separation. It's a wonder we allow ourselves to have children, to open up to other humans, to find a mate!

It would no doubt make my memories happier if I believed that Tad's departure from this earth was the immediate delivery of his soul into the arms of a loving god. It would allow me to walk around saying how happy I am for him; how lucky he is to be with god. But I can't. I simply don't know that to be true.

What I do know (or at least feel very strongly) is that this painful sorrow, this revisiting of memories, this conjuring of loving images, this talking aloud to a dead man is all part of our love story. It is all part and parcel of the beautiful encounter between Tad Crandall and Greg Rowe.

I can't have the beauty and love without the pain.


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PS When I put the new SIM card in my French phone I was served up a series of beautiful text messages from Tad so excited to be sharing his arrival first in Florence, then Rome, and finally Venice where he compared the throngs of tourists to locusts. These were from 2009 where we split paths so I could go back to the US. With the magic of telecommunication competition, the new company kicked in and all the messages disappeared. I stood in the phone store smiling even though it stung. "The temporary nature of life," I thought.